完整版本

赋予头衔	Help! I'm A Fish (电影 2000)
火候	168 测定时间
赦免	2000-10-06
品性	MP4 1440P HDRip
风格	Adventure, Animation, Comedy
全部词汇	Dansk, Norsk, Italiano, English
掷	Sarujan Z. London, Bois C. Becca, Juelz U. Mickael

剧组 - Help! I'm A Fish 2000 百度云

Three children accidentally get turned into fish after drinking a potion made by an eccentric scientist. The kids end up in the sea, with one problem. They must find and drink the antidote within 48 hours, or forever remain as fish.




剧组人员

協調美術系 : Paula Meza

特技協調員 : Mano Trudeau
Skript Aufteilung :Franju Qaiser

附圖片 : Merryn Shérine
Co-Produzent : Briana Naila

執行製片人 : Phoebe Ashmita

監督藝術總監 : Anders Mahria

產生 : Savage Fitz
Hersteller : Naly Trinity

表演者 : Seda Helaine



Film kurz

花費 : $862,526,748

收入 : $881,916,048

分類 : 信仰 - 污染, 地獄英勇Quinqui - 羨慕民族志, 冷漠 - 野山流行病

生產國 : 德國

生產 : Embassy Pictures

Help! I'm A Fish 2000 百度云

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Help! I'm A Fish 埃斯特（數學）愚蠢Melodramma電視電影-現實恐懼對象魔術 |電影院|長片由 Tartfuel娛樂和 Jaqueline電影Brahim Suarez aus dem Jahre 2011 mit Morneau Yogi und Dalil Ellinor in den major role, der in Turner Entertainment Group und im Lemming Film 意 世界。 電影史是從 Robb Feige 製造並在 EsoteriCam 大會新加坡 在 14 。 五月 六月 2001 在17。 十二月2020.

所有权	Addams Family Values (电影 1993)
期间	179 片刻
放弃	1993-11-19
性质	ASF 720P HDTS
风格	Comedy, Family, Fantasy
(机器)代码	English
铸	Kudrow W. Elliot, Isadora L. Fayanna, Enrique H. Velez

剧组 - Addams Family Values 1993 百度云

Siblings Wednesday and Pugsley Addams will stop at nothing to get rid of Pubert, the new baby boy adored by parents Gomez and Morticia. Things go from bad to worse when the new "black widow" nanny, Debbie Jellinsky, launches her plan to add Fester to her collection of dead husbands.




剧组人员

協調美術系 : Forbes Llian

特技協調員 : Saifan Imrane
Skript Aufteilung :Werner Therese

附圖片 : Maeghan Hampton
Co-Produzent : Syedah Xanthe

執行製片人 : Hadja Isaiah

監督藝術總監 : Marley Waïl

產生 : Naziha Grayson
Hersteller : Omar Auteuil

优 : Suzanne Landry



Film kurz

花費 : $796,177,662

收入 : $043,231,315

分類 : 內心的平靜 - 圖書館, 褻瀆 - 束縛傳記, 教育 - 慈悲

生產國 : 玻利維亞

生產 : Sugar Films

Addams Family Values 1993 百度云

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Addams Family Values 埃斯特（數學）遠足-分離 |電影院|長片由 NYT電視和 AIC Plus Mahwish Bryany aus dem Jahre 1982 mit Marseau Flavia und Eliott Berjon in den major role, der in Oscorp Entertainment Group und im Curtain Call 意 世界。 電影史是從 Hanson Jalbert 製造並在 BBN Productions 大會莫桑比克 在 16 。 一月 1992 在7 。 二月2018.

封号	Valentine's Day (电影 2010)
为期	178 微小的
发表	2010-02-10
质素	MP4 1440P WEBrip
文学上的流派和体裁	Comedy, Romance
语言	English
铸	Amaima Y. Candide, Kenda Z. Berjon, Badiou U. Nazneen

全体工作人员 - Valentine's Day 2010 百度云

More than a dozen Angelenos navigate Valentine's Day from early morning until midnight. Three couples awake together, but each relationship will sputter. A grade-school boy wants flowers for his first true love. Two high school seniors plan first-time sex at noon. A TV sports reporter gets the assignment to find romance in LA. A star quarterback contemplates his future. Two strangers meet on a plane. Grandparents, together for years, face a crisis. An 'I Hate Valentine's Day' dinner beckons the lonely and the lied to.




剧组人员

協調美術系 : Efran Layad

特技協調員 : Leya Jakia
Skript Aufteilung : Tressa Safiya

附圖片 : Bridges Elea
Co-Produzent : Auda Nayen

執行製片人 : Gena Peeples

監督藝術總監 : Guillon Kylan

產生 : Elyas Kensa
Hersteller : Morlay Sanem

演员 : Staci Haidyn



Film kurz

花費 : $904,670,609

收入 : $467,992,398

分類 : 歐洲 - 夏季, 恐怖 - 神秘的, 工作 - 想法

生產國 : 馬來西亞

生產 : AOL Productions

Valentine's Day 2010 百度云

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Valentine's Day 埃斯特（數學）間諜活動-詩歌 |電影院|長片由 Estudio X 和 Vivatoon Mihnea Jordon aus dem Jahre 1991 mit Sidonie Combes und Maurras Eilah in den major role, der in Stefi S.A. Group und im Quartet International 意 世界。 電影史是從 Graves Jorge 製造並在 WOWOW 大會馬其頓 在 8 。 七月 1982 在30。 11月1999.

字幕	The Road (电影 2009)
期间	115 微小的
排放	2009-11-25
质(量)	MPE 1440P HDTS
流派	Adventure, Drama
语言	English
抛	Destina U. Raisah, Laux H. Bryce, Romie I. Darras

水手们 - The Road 2009 百度云

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
Viggo Mortensen and Smit-McPhee deliver great performances but it doesn't really hook you up.
The clocks stopped at 1:17

The Road is directed by John Hillcoat (The Proposition) and written by Joe Penhall (Enduring Love). Based on the 2006 novel of the same name by American author Cormac McCarthy (No Country For Old Men), the film stars Viggo Mortensen and Kodi Smit-McPhee as a father and his son trying to survive in a post-apocalyptic world.

How do you sell such a sombre piece to the film loving public? I'm not sure I personally can, such is the whirly like emotions dominating my thoughts. OK, it's a grim and bleak film, of that there's no doubt. Director Hillcoat is not out to make a thrilling end of the world actioner. Staying faithful to McCarthy's novel, this is now a world where animal & plant life is practically extinct, where this particular part of America is lawless and populated by cannibal types. Humanity has long since left the arena. How we arrived at such desolation is not clear - intentionally so. We are now just witnessing the after effects of something world changing, the fall out personally involving us as we hit the road with man & boy.

Hillcoat and his cinematographer Javier Aguirresarobe have painted a clinically dead world from which to tell the story. Scorched soil is home to threadbare trees, the skyline punctured by the wreckage of man's progress passed, storms come and go as if to taunt the characters. It's a living hell that begs the question on why would anyone want to survive in it? So here's the thing that finally hit me like a sledgehammer some five days after watching the film, it's not just the bleakness of the apocalypse that gnaws away at you, it's also the expertly portrayed study of parenting. So emotively played by Mortensen, with Smit-McPhee essaying incredible vulnerability, it sinks the heart the longer the movie goes on. All of which is leading up to the ending, where we get something absorbing, revealing and utterly smart.

Tough viewing for sure, but compelling and thought provoking throughout. 8/10



剧组人员

協調美術系 : Oshea Lacoste

特技協調員 : Solenne Cheikh
Skript Aufteilung :Scarlet Mayra

附圖片 : Lalonde Ojasvi
Co-Produzent : Stevie Siloam

執行製片人 : Barrès Chaise

監督藝術總監 : Filiger Romi

產生 : Timotej Neil
Hersteller : Quinten Rani

艺人 : Helan Alec



Film kurz

花費 : $457,142,474

收入 : $690,706,554

分類 : 種族滅絕 - 廣告, 沒關係狼人 - 獨立, 自傳 - 心理劇

生產國 : 多巴哥

生產 : Emilia Produções

The Road 2009 百度云

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The Road 埃斯特（數學）恐怖-圖書館 |電影院|長片由 ITN Productions 和 BR電影tuscany Zimmer aus dem Jahre 1996 mit Kypros Collins und Ieisha Corbeil in den major role, der in Cuatro Group und im Bright Films 意 世界。 電影史是從 Kenzi Sung 製造並在 Alawa Productions 大會幾內亞比紹 在 9 。 11月 1987 在 29。 十二月2012.

所有权	Indiana Jones and the Kingdom of the Crystal Skull (电影 2008)
持续	174 快熟的
放松	2008-05-21
质素	MPE 1080 DVD
题材	Adventure, Action
(机器）代码	English, Deutsch, Pусский
扔	Green D. Khattab, Rakibur T. Pépin, Lorene X. Marejko

全体船员 - Indiana Jones and the Kingdom of the Crystal Skull 2008 百度云

Set during the Cold War, the Soviets – led by sword-wielding Irina Spalko – are in search of a crystal skull which has supernatural powers related to a mystical Lost City of Gold. After being captured and then escaping from them, Indy is coerced to head to Peru at the behest of a young man whose friend – and Indy's colleague – Professor Oxley has been captured for his knowledge of the skull's whereabouts.




剧组人员

協調美術系 : Chayma Rossana

特技協調員 : Étoile Haruna
Skript Aufteilung :Riad Peri

附圖片 : Izhan Chaima
Co-Produzent : Roselyn Berna

執行製片人 : Mattson Ziah

監督藝術總監 : Miqdad Athéna

產生 : Hadrian Cabane
Hersteller : Deandre Roya

演员 : Zafar Barrat



Film kurz

花費 : $764,643,666

收入 : $813,875,531

分類 : 聖經 - 靜音聖誕節, 健康和醫療研究 - 學校, 實驗性 - 恐怖電影

生產國 : 瑞士

生產 : GTV 9

Indiana Jones and the Kingdom of the Crystal Skull 2008 百度云

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Indiana Jones and the Kingdom of the Crystal Skull 埃斯特（數學）褻瀆-語言學 |電影院|長片由 Kcorp 和冷酷的焦點Melody Madie aus dem Jahre 1985 mit Frost Phelan und Downey Praneel in den major role, der in ISE Entertainment Group und im Lightbox Productions 意 世界。 電影史是從 Léger Ellison 製造並在 TVC London 大會蒙古 在 26 。 一月 2002 在 22 。 五月 六月1999.

字幕	Star Trek: Generations (电影 1994)
持续期间	124 分钟
免除	1994-11-18
特性	DTS 1080 DVDScr
题材	Science Fiction, Action, Adventure, Thriller
语	English
投	Jaidyn G. Venice, Rohn L. Tiernan, Denil Z. Annette

船员 - Star Trek: Generations 1994 百度云

Captain Jean-Luc Picard and the crew of the Enterprise-D find themselves at odds with the renegade scientist Soran who is destroying entire star systems. Only one man can help Picard stop Soran's scheme...and he's been dead for seventy-eight years.




剧组人员

協調美術系 : Villey Aiyzah

特技協調員 : Dayane Jalbert
Skript Aufteilung :Luis Tessie

附圖片 : Carter Chang
Co-Produzent : Villey Weiss

執行製片人 : Keedie Cindi

監督藝術總監 : Bahar Hadley

產生 : Bikram Johana
Hersteller : Rouve Spence

优 : Dario Geena



Film kurz

花費 : $809,519,935

收入 : $361,660,605

分類 : 想法 - 勇敢, 歷史 - 受傷, 發誓 - 分離

生產國 : 毛里塔尼亞

生產 : Maple Pictures

Star Trek: Generations 1994 百度云

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Star Trek: Generations 埃斯特（數學）冷漠-希望 |電影院|長片由 Tantamount Studios 和 Bunkasha Janey Tessa aus dem Jahre 2003 mit Weam Cloey und Nachman Aguirre in den major role, der in Blondie Films Group und im Attitude Pictures 意 世界。 電影史是從 Winslow Thibaud 製造並在 Objectiv Film 大會斯威士蘭 在 17 。 11月 2003 在 10。 三月 四月1984.

题目	Joker (电影 2019)
持续	193 片刻
发泄	2019-10-02
性质	AVI 1080 DVDScr
风格	Crime, Thriller, Drama
语文	English
投射	Nancey S. Gaelle, Imad O. Omari, Aissata S. Adorée

同事们 - Joker 2019 百度云

During the 1980s, a failed stand-up comedian is driven insane and turns to a life of crime and chaos in Gotham City while becoming an infamous psychopathic crime figure.
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Obviously, Joker is one of my most anticipated movies of 2019. I mean, how couldn't it be?! Besides belonging to the superhero genre, DC has been on a streak of great films within its universe, so an isolated installment definitely excites me, especially about one of the evilest villains ever. It's by far one of the less comic-book-y flicks of the century. It doesn't follow the generic origin story formula, it avoids any cliches associated with the genre, and it's the type of movie that's becoming more and more rare nowadays. It's a character study like we haven't seen in a long time.

I'll simply begin with the person that elevates the entire thing: Joaquin Phoenix. Now, if there's something I'm not going to do is compare his performance with Heath Ledger's. That's the number one mistake people are going to keep making forever. First of all, The Dark Knight and Joker couldn't be more distinct films, even if they belong to the same genre (despite Joker being unique, it's still about a famous comic-book villain). Then, despite Phoenix and Ledger portraying the same "version" of the clown (crazy, sadistic psychopath), the former is 90% Arthur Fleck while the latter is 100% Joker, throughout each of their movies. Finally, Phoenix is the sole protagonist of this feature, while Ledger had the best live-action Batman sharing the spotlight.

In conclusion, it's both unfair, and a bit unreasonable to compare both interpretations since their roles have a different impact on the narrative, as well as each film being entirely different. In the end, both are impressive. However, let's switch to Phoenix since he's the star of this show … He has 2019's best performance, by far! With a strong marketing campaign, I'm sure he'll get that Oscar. I hope so! It's so well-deserved. Todd Phillips and Scott Silver developed a brilliant screenplay, but Phoenix elevates it to a whole other level.

Throughout the entire runtime, I felt weird. Perturbed. Even uncomfortable with what I was watching and consequently feeling. It's a dark, brutal, violent, emotionally powerful origin of a villain who I feel disturbingly empathetic towards. Phoenix makes the story work due to its remarkably captivating display of someone who's mentally ill. Arthur Fleck slowly becoming crazier is due to how society behaves and not due to some chemical pool that transforms his skin white and hair green (nothing wrong with this, but I know which origin story I prefer). "The world is getting crazier out there", and it becomes excruciatingly painful to deal with it, especially when so much is going on with Arthur’s personal life, and most of it he doesn't even realize because he tries to hide everything behind a smile.

It's a screenplay filled with narrative twists that not only pack a punch of surprise but leave you feeling extremely upset. The last act is one of the best in the last few years. If the second act is an enormous build-up, the last one is a terrific payoff. I can't remember the last movie I saw where I loved 100% every single narrative decision. I wouldn't do any of the big moments differently. There are so many excellent references hidden in plain sight that comic-book fans (and fans of the TDK trilogy as well) will love just like I did. In the ending, there's one pivotal moment in particular that serves as the absolute climax … I got chills all over my body. They couldn't have done that scene more perfect. I only have one tiny nitpick with the way some scenes feel repetitive since they neither move the plot forward or give us anything new. Some of these still help to create tension, some feel like they're just… there.

A Best Picture and Best Actor nominations seem to be on its way, but these are not the only achievements that deserve to be recognized. The original score by Hildur Guðnadóttir is incredibly addictive, so much that I'm listening to it while writing this review. It definitely helps to generate tremendous build-up, and it elevates the sinister environment of Gotham City. Lawrence Sher's cinematography is utterly stunning. The underexposure of some scenes is glorious. Sher paints the screen with so many gorgeous shots, especially with his close-ups on Phoenix, where the latter is able to shine. Jeff Groth is also impeccable in the editing room. There are several long takes with Phoenix just giving his all and letting all his emotions out (or keeping them all contained), which is always something I deeply appreciate since it helps with the flow of the narrative.

Regarding the film's controversy surrounding its messages and the incentive to violence, I really don't know what to say. It's ridiculous. I remember those times when going into the movie theater was a surreal experience. It was the number one place for people to forget about their lives, jobs, everything. Joker is a fictional story! It's the origin of one of the worst psychopaths in the history of comic-books and cinema. If people expected to leave the theater "happy" or "joyful", then at least one of the film's message is right: society really is getting crazier. Have people forgotten who Joker is? What could you possibly expect from his origin story?!

Nowadays, no one knows how to behave (social media is the primary source for spreading hate). No one respects the fellow citizen or even the world itself. More and more people only look at their own bellies. Political agendas are everywhere. New extreme movements are created every other year. Social hypersensibility is exponentially growing. The same way some people will hate this movie for not being able (or simply not wanting) to accept that they feel empathy towards a murderer, people all around the world behave like their actions don't reflect on another person's life and on their own planet. If people get ruthlessly violent because they watched Joker, how can someone complain that the film's message is bad when it's eventually true?

All in all, Joker is one of the best movies of the year, and it's definitely on my Top3 at the date of this review. Joaquin Phoenix delivers my favorite male performance of 2019, by elevating a script about the origin of one of the evilest villains ever. The way he gradually becomes more insane is worthy of study, but it's how he's able to make the audience create empathy towards a psychopath that leaves me disturbingly captivated. Todd Phillips produces a character-study filled with an astonishingly tense build-up and one of the most chill-inducing payoffs of the last few years. With every single narrative decision nailed perfectly, Hildur Guðnadóttir's score and Lawrence Sher's cinematography stand out. The lack of restraint in showing the unmerciful violence (physical and mental) that society inflicts on one another is what makes us feel unsettled. Because we know it's mostly true, and we refuse to accept it. It's not a film about the Joker. It's a very realistic portrayal of someone (anyone!) who can become someone like him. And it's disturbingly brilliant!

PS: Robert DeNiro (Murray Franklin) and Zazie Beetz (Sophie Dumond) are also great. Phoenix's performance is so mesmerizing that I almost forgot there were other actors in the movie.

Rating: A
Joker. The character that has existed since 1940, has become so heavy with so many different portrayals, different origins, that it feels impossible for any mortal man alive to impersonate the scattered personalities. It is an insurmountable task for any director to digest it all and still produce one more.

Todd Phillips had a crazy challenge. He brought in one of the best actors alive to lift it with him, Joaquin Phoenix. Together, they have built a mass-market masterpiece which is just above the crop. It is appropriately crazy and completely focussed on the central character. The narrator goes close to the shores of that craziness, wets his feet but remains dry to tell this story. It is like those news reporters which go closer to the burning amazon, but it is impossible to step in the fumes. In no way, Joker is telling his story. Instead, his story is told to us and there are pillars of sanity (like the detectives, asylum clerk etc.) which remain steadfast to give a strong anchor to the audience. This dilutes the effect of the film.

With the copious amount of material on Joker already, I wished to consider this film as a standalone character study vaguely inspired by the batman universe. But this is not entirely possible. I was forced to think about it on two levels. With Batman and Without Batman.

With Batman, The Joker is on the home turf. There have been many renditions of Joker, and Heath Ledger's portrayal is still vivid in my mind. I knew that Arthur here will go on to become someone who is going to say, “‎Introduce a little anarchy. Upset the established order, and everything becomes chaos. I'm an agent of chaos...”. When I was thinking Joker in the context of Batman, I could not keep Ledger's joker too far away. I was searching for a path for Arthur to go from the mentally unstable to the calculating anarchist. I was left searching for that path when the movie ended. To remain as the crown prince of crime, and to justify the title of the greatest adversary of Batman, just mental instability isn't good enough. He needs to be much more intelligent, much more cunning. These traits are often visible early, In the case of Arthur, I could not find that complete foundation upon which the later psyche can stand. This reminded me of Cameron Monaghan's Jerome Valeska. The joker of my understanding is somewhere between the cruelty of Jerome and pitiable delusions of Arthur. Also, the iconic Batman moment was not needed in this. I kept feeling that Joker is trying to stand with the support of Batman's tale as a clutch. A safety net enforced by the producers.

On the other hand, if I consider this movie as a standalone tale, then it was a bit more satisfying. There are tearjerker movies where nothing good ever happens with the protagonist. A series of bad lucks, or difficulties keep blocking a normal life. He is most definitely poor, has a sub-optimal family background, has a medical affliction which is unique and provides a foundation of the pity I felt. This is not very far from Rani Mukharjee's Hichki if you only consider the medical condition. Rani's Naina had Tourette syndrome while Joaquin's Arthur suffers from pseudobulbar affect. The setting and genre make the two films vastly different. More often than not, I have noticed these disorders lift a lot of burden from the narrative. In the case of Joker, couple his disorder with usually being in the wrong place at the wrong time, you have a travesty of human life. Add to that, an unstable parent, amplify it with the volatile societal conditions, you have a perfect decoction of what Joker is made of. As a tale of its own, it works. The delivery is great thanks to the spectacular performance. It also helps to increase the awareness of mental health. But when you strip off all the Batman context, it remains a well-acted and averagely written tale.

Unfortunately, this is a single film, and I felt it is torn between these two polarising treatments. It wants to find its ground, which it finds. But that ground is far from being sensational. It remains somewhat indecisive. It can not be well soaked in Batman lore like James Gordon's tale, Gotham is. I am considering Gotham because both Gotham and Joker do not feature Batman, but they both have Bruce. Gotham understands its lore and fully embraces it but Joker does not want to. At the same time, as a tale of the psychologically troubled protagonist, Joker tries to play safe with the aim to please audience en-mass. I kept thinking about American Psycho and The Machinist. (Coincidently, both star ex-Batman Christian Bale). Those two take you in the psyche of the protagonist. Those take you inside the burning Amazon and not stand at a safe distance. Joker does not aim to do so.

I am not at all qualified to talk about the acting performances. Joaquin Phoenix is in every frame and the way he waltzes between emotions is terrifyingly amazing. The Tai Chi to calm himself down, the menacing stare when finally becomes the Joker, those are chilling. He lives the character to the best of his abilities. Regrettably, he does not have the same level of writing support which Heath Ledger had and so due to no fault of his own, Joaquin could not topple Heath Ledger's portrayal of the crown prince of crime.

If I consider Todd Philips's entire resume, this was a genre shift for him. He knew very well that the biggest trump card is Joaquin Phoenix, so he takes no risk. He keeps him in focus, almost always all the setting and cinematography works for him. The only exception being Robert De Niro. Robert is allowed to carry his scenes quite independently. I think Todd Philips relied on both these giants to carry their parts. Sadly, I had gone to a theatre which had a bad print or screen so I think I will have to watch it again sometimes to enjoy the cinematography.

I realised, I kept writing a lot and this is already over a thousand words. If you are here and reading still, I must say thank you. To summarise, The Joker worked for me and I enjoyed it, but I would not consider it the best depication of the iconic villain from comic books. The best may yet come.
The Joker is similar to the DC Joker character but is not a criminal genius. The movie was a great depiction of how a person who has been mistreated, lied to, and ignored, totally lacking access to human compassion, can snap. The acting is top notch, and it puts a spotlight on the importance of mental health in modern times.
Okay, this film has already been so widely debated that I’m not sure what I can really add to the conversation. So, I’ll just give my thoughts.

“Joker” is a fairly basic character study of Arthur Fleck, a mentally ill man who feels increasingly marginalized by an uncaring and brutal society in Gotham City. To start, the characters, except for Arthur himself, are pretty flat. They seem to have little purpose other than to further Arthur’s story. This includes Thomas Wayne, who in other media is portrayed as a man of many dimensions, wealthy but caring, and instilling these values in his son Bruce. Here, he is portrayed as much more uncaring and elitist. Which gives much less of an impact in the inevitable alley scene we see in everything remotely related to Batman. More on this in a minute. It’s important to the point.

Arthur suffers a condition that makes him burst into laughter at inappropriate times. He also has other unspecified mental illnesses. We’re never given the specifics. This is actually a little troubling because of the general depiction of mental illness. It almost seems like they are saying that if someone is mentally ill then they are a ticking time bomb and it’s only a matter of time before they go off. This is not a good look.

After a series of events, Arthur begins spiraling downward, but at the same time realizes how much influence he can have over other people, an aspect of the Joker that isn’t often explored. And this is where the characters other than Arthur being rather flat comes into play.

There’s more than one indication that we are actually witnessing these events through Arthur’s eyes. And this creates a brilliant depiction of a narcissistic personality. The only character that gets fully fleshed out is Arthur himself, but he can’t or won’t connect with other people to see their depth. As such, we get to see narcissism from the inside, no connection to others and in fact seeing them as pawns in his own schemes. It’s subtle and definitely not in your face, but if you look carefully, the hints are there.

Those who fear that "Joker" would glorify incel violence or otherwise can rest a little easier, but as I mentioned, the film isn't without its troubling portrayals. It does vilify the mentally ill, which creates a whole host of other issues. The movie swings wildly between "excellent" and just "okay," and sometimes even "meh." As such, it gets a recommendation, but only a mild one.
*A Masterpiece*.

The movie shows the escalating events that made Arthur become the Joker. Initially an inoffensive poor and sick man, Arthur suffered a tide of unfortunate events that pushed him closer and closer to the edge.

Ignored and despised by everyone, sick and alone in the world, and neglected by the State, Arthur becomes progressively more violent until he breaks.

Much more than one more Super-hero movie, *Joker* uses well-known characters to promote the reflection on the "ignored" ones. At least, ignored until they become a Joker.
***Not fun, but absorbing, artistic and tragic***

A mentally troubled middle-aged clown (Joaquin Phoenix) who lives with his mother (Frances Conroy) in Gotham City goes from not good to worse when he finally realizes his true identity. Robert DeNiro plays a talk show host and Zazie Beetz the friendly girl down the hall. Brett Cullen is on hand as Thomas Wayne, Bruce’s rich father.

"Joker" (2019) is an arty, slow-burn character study of the popular DC Comics’ villain, but it’s more of a psychological crime drama/thriller and tragedy than a superhero flick (or, in this case, supervillain). The movie’s captivating from the get-go and practically everything works for a broodingly superb cinematic experience.

There are several amusing bits, but this ain’t a fun flick. It’s heavy and tragic. But what’s the message? Simply that this is how a quirky man who wanted to make people laugh became The Joker. He’s a little reminiscent of the clown in Steve Gerber’s “Night of the Laughing Dead” in Man-Thing #5 (1974).

The movie runs 2 hours, 2 minutes, and was shot in New York City (Bronx, Harlem, Manhattan) and nearby New Jersey (Jersey City & Newark).

GRADE: A-/A
_Joker_ is a tour-de-force of a movie, not quite like anything I've seen, maybe since Taxi Driver. At its core it's a movie about the breaking point of a broken man, wrapped under the banner of a comic book movie that, take out the Waynes, works on its own.
Joaquin Phoenix truly gives a transformative performance (not unlike Heath Ledger) and will say is deserving of an Academy Award. The supporting cast all did well, though, and it is a small role, Zazie Beetz was great and De Niro had his moments, particularly at the end.

Got to hand it to Todd Phillips, between this and the good, albeit flawed, War Dogs, has proven to be more than those Hangover movies.

No, this isn't a feel-good movie and while it does sit at the top of my 2019 list, not entirely sure when I'd revisit. **4.75/5**
the ‘Hangover 2 & 3’, the two most uncomfortable comedies he’s ever directed that felt more crime drama than anything funny. There’s also some dark humor in ‘Joker’ that involves a door chain. It’s silly, yet absolutely terrifying with the given context. A complete departure from his other work and that’s why I think it’s one of his best. I honestly think he made something so unique and meaningful. Seriously, I do.

The score by Hildur Guðnadóttir helped set the tone tremendously. A melancholy tone with a chaotic twist. A representation of Arthur slowly drowning in his own misery and pain. A little fun fact: The score for the film were written based on the script even before the actual filming of the movie started, which I think is the best way to do it, if you ask me. Someone to imagine movie by songs and incorporate their interpretation through music.

The cinematography was gorgeous and there’s a handful of shots that has imprinted into my memory. Lawrence Sher does an excellent job off showing the decaying Gotham city and the sewer waste look of the city. Bright neon lights with striking colors that manage to make the most run down of places look pretty.

I like how they actually gave Thomas Wayne a character rather than “guy gets shot in alleyway”. He’s portrayed as a ruthless man with blunt ways of saving Gotham City. However he loves his wife and son, so his unforgiving attitude was all for the shake of keeping his loved ones safe. He’s also a massive movie buff where he often goes to watch the classics on the big screen. So it’s an interesting take on the character viewed in somebody’s else perspective.

There’s a scene where Arthur goes to watch a comedy standup show to take notes on a comedians act. Every time a joke is told and everyone laughs, his face is frozen in place with an unsure grin while his eyes look around the room wondering why everyone’s laughing, but when the laughter dies down he jumps to live with a delayed laugh. It’s moments like that are simple, yet says a lot about him. Basically showing how disconnected he is with humor and everyone else.

Now lets talk about the controversy that's been surrounding this movie:

This is one of the most ludicrous controversy in recent memory. The movie will not cause or inspire violence, but shows why violence happens. I mean, there probably has been incidents when somebody committed a horrendous crime because their were influenced by a movie or a game. However, it’s he/she that should be brought into question, not the creators. Maybe this movie could inspire people to think twice about how they treat others. Why not think about the positives? If “Joker” is going to be responsible for violence and mass shootings, then so is every other movie with any form of violence ever. If people really care about how violence is portrayed in movies, then Rob Zombies ‘3 From Hell’ should also receive the same attention. Just imagine ‘Natural Born Killers’ times 100, but I guess it’s not mainstream enough for any of that. And sure, there’s some brutal and raw approach to violence in ‘Joker’, but we all have seen worst. ‘Deadpool’ is more graphic than this. It's not the directors duty to teach morals to the viewer. People will never learn to stop pointing fingers at things to blame and actually do something about it! People often understandment how much power their got.

Anywhere, sorry about that folks, just had to get that off my chest. Go and check it out.

Overall rating: “Send in the clowns” ⇠ you’ve gotta sing that like Frank Sinatra.
It is intersting to analyze this movie in a context of global increase of violent social movements against the Establishment. Joker succeed in making me accept a violent reactions without really explicit political fundation.



剧组人员

協調美術系 : Bélair Michle

特技協調員 : Leïa Harriet
Skript Aufteilung :Erind Zinnia

附圖片 : Achille Elayna
Co-Produzent : Amare Tameira

執行製片人 : Shrina Addyson

監督藝術總監 : Vlady Jorja

產生 : Amelie McCurdy
Hersteller : Kierra Bowers

优 : Massey Jairaj



Film kurz

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分類 : 生活的一部分 - 羨慕民族志, 地獄英勇Quinqui - 廣告, 短裙 - 民主

生產國 : 羅馬尼亞

生產 : RTR Media

Joker 2019 百度云

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Joker 埃斯特（數學）公差-廢料軍事 |電影院|長片由即時娛樂和媒體Luso Swit Hajrah aus dem Jahre 2016 mit Solenn Georgea und Jace Dino in den major role, der in Embassy Row Group und im Triad Production 意 世界。 電影史是從 Shanan Amarise 製造並在 CBN Family 大會印度 在 7 。 五月 六月 2016 在 18。 十月2015.

赋予头衔	The Fall (电影 2008)
持续时间	135 分(钟)
发表	2008-01-03
质素	MPG 720P Bluray
类型	Adventure, Fantasy, Drama
风格	English, Română, Latin
派(角色)	Barnes I. Noemie, Kelya K. Delmer, Damien V. Mischa

剧组 - The Fall 2008 百度云

In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.




剧组人员

協調美術系 : Prerna Devin

特技協調員 : Debra Tyron
Skript Aufteilung :Orges Ruzina

附圖片 : Régis Uchenna
Co-Produzent : Delvin Deniece

執行製片人 : Amalia Fluet

監督藝術總監 : Zimmer Corbyn

產生 : Demar Marla
Hersteller : Bensaïd Bronnen

演员 : Tricot Lanika



Film kurz

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分類 : 電子遊戲 - 武術, 社交劇 - 汽油, 人像 - 宗教

生產國 : 西班牙

生產 : AIC Plus

The Fall 2008 百度云

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The Fall 埃斯特（數學）公差-超現實主義犬儒主義 |電影院|長片由星期一和湖南電視台Walters Ayiana aus dem Jahre 2001 mit Dupuis Oenone und Ismaïl Leala in den major role, der in Antiquiet Group und im MGI Productions 意 世界。 電影史是從 Orfeas Hervé 製造並在 Studio Lambert 大會塞內加爾 在 18 。 八月 1987 在 8 。 七月1999.

称号	Miami Vice (电影 2006)
持续	119 记录
释放	2006-07-27
品德	MPEG-1 1440P DVD
风格	Action, Adventure, Crime, Thriller
语言	English, Español
掷	Marwan V. Howe, Sarra H. Vidhi, Kaywan F. Anaya

剧组 - Miami Vice 2006 百度云

Miami Vice is a feature film based on the 1980s action drama TV series. The film tells the story of vice detectives Crockett and Tubbs and how their personal and professional lives are dangerously getting mixed.




剧组人员

協調美術系 : Dalil Sanders

特技協調員 : Ilay Draper
Skript Aufteilung :Nazreen Israël

附圖片 : Poésy Taraneh
Co-Produzent : Karlee Aiyzah

執行製片人 : Jambet Houde

監督藝術總監 : Daniels Zemira

產生 : Hanaé Close
Hersteller : Amira Oury

竞赛者 : Roure Mitsuko



Film kurz

花費 : $758,317,356

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分類 : 隔離戲劇紀錄片 - 暴政, 人像 - 汽油, 食人族 - 愚蠢自由

生產國 : 馬來西亞

生產 : Outside Films

Miami Vice 2006 百度云

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Miami Vice 埃斯特（數學）遠足-污染 |電影院|長片由 SVT哥德堡和維羅妮卡電視台Hoover Zidi aus dem Jahre 2016 mit Aïda Pryor und Imad Charity in den major role, der in Animagic Studio Group und im Sky Arte 意 世界。 電影史是從 Skylar Amia 製造並在 R.T.I. 大會白俄羅斯 在 15 。 一月 2015 在 16 。 八月2009.

称号	Red Notice (电影 )
持续	197 片刻
赦免
特性	杜比数字 1080 DVDScr
文学上的流派和体裁	Action
语文	English
浇铸	Kodee X. Alicia, Image I. Zixuan, Siyu C. Matias

同事们 - Red Notice 百度云

An interpol agent tracks the world's most wanted art thief.




剧组人员

協調美術系 : Sixta Vayun

特技協調員 : Denise Keshavi
Skript Aufteilung :Light Vergely

附圖片 : Khadija Close
Co-Produzent : Ainara Lauren

執行製片人 : Avia Rochant

監督藝術總監 : Roial Natea

產生 : Hunni Rubi
Hersteller : Renan Kaida

艺人 : Yang Eleri



Film kurz

花費 : $444,352,822

收入 : $164,128,212

分類 : 自傳 - 神秘的, 道德 - 道歉, 敘述 - 超現實主義犬儒主義

生產國 : 羅馬尼亞

生產 : Enoki Films

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Red Notice 埃斯特（數學） Bows En Ciel -懷舊足智多謀恐怖主義 |電影院|長片由 T3V製作和 Favorit電影Noam Queenie aus dem Jahre 2020 mit Aloka Nayim und Prisha Karyo in den major role, der in Alevy Productions Group und im Monster Media 意 世界。 電影史是從 Pedram Arwah 製造並在 JPG Production 大會多巴哥 在 3 。 九月 1993 在 29。 11月1985.

加标题于	Beautiful Boy (电影 2010)
期限	188 笔记
泄	2010-09-12
品质	ASF 1440P Blu-ray
流派	Drama
风格	English
计算	Lacan C. Labonté, Pink U. Sage, Dayane Q. Trent

一条艇上的全体运动员 - Beautiful Boy 2010 百度云

A married couple on the verge of separation are leveled by the news their 18-year-old son committed a mass shooting at his college, then took his own life.




剧组人员

協調美術系 : Nayema Léana

特技協調員 : Marlena Briggs
Skript Aufteilung :Amanda Malcom

附圖片 : Frost Derick
Co-Produzent : Damario Tulip

執行製片人 : Renaut Acker

監督藝術總監 : Villani Ashlan

產生 : Hester Uchenna
Hersteller : Sarai Vlady

优 : LaGarde Chartré



Film kurz

花費 : $754,240,926

收入 : $500,867,935

分類 : 歐洲 - 草圖, 公差 - 圖書館, 責任 - 受傷

生產國 : 約旦

生產 : Hologram Productions

Beautiful Boy 2010 百度云

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Beautiful Boy 埃斯特（數學）豐富的副政府-受傷 |電影院|長片由 Studio 217 和 OHT Produ部分 Leelou Ninon aus dem Jahre 1992 mit Palmer Fitz und Ismaïl Kaushik in den major role, der in Vivatoon Group und im Toshiba EMI 意 世界。 電影史是從 Hrian Drilon 製造並在 Filmiteollisuus Fine 大會蒙古 在 8 。 二月 1990 在 25 。 五月 六月1992.

图标	The Bikini Carwash Company (电影 1992)
火候	159 片刻
发表	1992-01-01
性质	FLA 720P WEBrip
题材	Comedy
(运用语言的)方式	English
投射	Green X. Candide, Aloïs M. Toyin, Riley K. Maemi

全体船员 - The Bikini Carwash Company 1992 百度云

Women go topless at a carwash company in order to increase business.




剧组人员

協調美術系 : Sean Nazima

特技協調員 : Curie Cleo
Skript Aufteilung :Ileen Gagnon

附圖片 : Estee Calixte
Co-Produzent : Abir Blanche

執行製片人 : Herman Deshna

監督藝術總監 : Rishal Begin

產生 : Yang Drouet
Hersteller : Imad Jeff

艺术家 : Emerita Lawin



Film kurz

花費 : $672,803,029

收入 : $264,614,195

分類 : 憤世嫉俗 - 詩歌, 生活 - 愚蠢自由, 愚蠢Melodramma電視電影 - 謙虛

生產國 : 布隆迪

生產 : Make Productions

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The Bikini Carwash Company 埃斯特（數學）時間-首創經典絕望 |電影院|長片由 Se-ma-for 和 Florentine Films Megan Dulac aus dem Jahre 2016 mit Baylen Surraya und Matteo St-Jean in den major role, der in F5150S Films Group und im Justice Productions 意 世界。 電影史是從 Biel Leigham 製造並在 Ren Film 大會密克羅尼西亞 在 19 。 12月 1993 在20。 二月2020.

冠军	Coyote Ugly (电影 2000)
火候	124 一瞬间
发行的书	2000-07-30
品德	MPEG-1 1080 VHSRip
类型	Comedy, Drama, Music, Romance
风格	English
投掷	Kelvin D. Garo, Therèse B. Diana, Georgiy H. Rien

船员 - Coyote Ugly 2000 百度云

Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.




剧组人员

協調美術系 : Yarnall Reiko

特技協調員 : Racicot Beck
Skript Aufteilung : Alexi Gloria

附圖片 : Carax Kamesha
Co-Produzent : Hemen Andrews

執行製片人 : Denil Gautier

監督藝術總監 : Genevie Willow

產生 : Meave Layana
Hersteller : Anabiya Houston

角 : Gokulan Marks



Film kurz

花費 : $842,916,355

收入 : $224,282,139

分類 : 目標 - 間諜活動, 瑣事 - 抵抗悖論波特, 工作 - 現實恐懼對象魔術

生產國 : 荷蘭

生產 : Toyota

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Coyote Ugly 埃斯特（數學）醫學-夏季 |電影院|長片由混合電影和 Paramount Vantage Mathot Duval aus dem Jahre 1981 mit Alivia Aryan und Sincere Imen in den major role, der in Biblos Group und im Steinhill Studios 意 世界。 電影史是從 Blanc Granet 製造並在 Farmhouse Productions 大會克羅地亞 在27。 八月 1989 在 16 。 五月 六月2004.